With the 'nocturnal animals' image not really coming together as i'd hoped, i set about sketching a completely new composition, trying incorporate some earlier imagery from my sketchbook development work, that i quite liked but felt it needed more added to it and didn't work as a stand alone image. They both featured hands reaching out of a well-like hole in the ground, wells being a recurring theme in Murakami's stories.

The whole composition would be based around my interpretation of a scene in the book that takes place in a subterranean tunnel, with waterfalls that leads to an underground science lab housing hundreds of mammal skulls. Well, at least i'd try and fit as much of that in as possible. It also needed be visually similar to previous print designs, which the nocturnal animals initial designs were failing to do.
Although i initially struggled to bring all the desired elements together in one happy bunch, i found that good old scamping saw me through. It's actually an aspect I've been really enjoying of late - so much so that I'm finding myself not wanting to move on to the refining and final draft stage until i'm absolutely sure that i know what i want the final outcome to look like and that it all works! This is something that once upon a time i would rush head first into, with minimal development and all thoughts would be on the polished final piece. So maybe I am capable of change..?
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